This is an general page for rough work
Introduction to my art
The importance of this artwork is hard to judge, because the conversation itself can travel in circles.
To help to break this cycle, let’s introduce some names;
Jesus Christ. Guru Nanak. Buddha. Krishna. Muhammad. Moses.
For Science you have;
Charles Hilton. Edwin Hall. Henri Poincare. Isaac Newton. Steve Hawkins. Thomas Edison. August Möbius. Nicola Tesla, and Einstein.
For Philosophy you have;
Aristotle. Plato. Rene discards. Giorgio Bruno, and Freud.
And for Art you have;
Salvador Dali. Leonardo da Vinci. Pablo Picasso.
All these wonderful people have one thing in common;
Either they energized the fourth dimension, or they tried to study/ paint it.
Thus, it is an important subject, within the different sectors ;
Science, religion, philosophy, art.
By studying these mathematical formulae, the following questions can be studied;
- What is the crucial difference between the third dimension and other dimensions?
- Are all equals the same?
- The law of polarisation?
- The law of position?
- The law of entrance?
- What are the sizes of other dimensions and how do they compare to the third dimension?
- Does the law of supply and demand apply in other dimensions and if so what does it look like?
- What is the Primal overall Direction of the force?
- We have three primary colours which we know. What are the primary colours in the other dimension?
- Can we Express loudness in a 2-dimensional form?
What a fantastic time to be alive!!
“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” ― Nikola Tesla “I don’t care that they stole my idea.
“Everything in Life is Vibration” – Albert Einstein. The law of nature that states everything has a vibration. If you’ve taken a chemistry class you probably remember learning about atoms, and that everything is made up of atoms.
We are slowed down sound and light waves, a walking bundle of frequencies tuned into the cosmos. We are souls dressed up in sacred biochemical garments and our bodies are the instruments through which our souls play their music.
Looking beyond the physical, optical, psychological, or philosophical properties of colour, their works consider its continuing mystery. Like the refracted colours of the prism they point to the insubstantial and invisible, giving physical form and expression to that which lies beyond the boundaries of sensory perception.
Draws the viewer in to be mesmerised by their luminous atmospheres. These works propose new ways of seeing the world and understanding reality, allowing colour to be a figuring of light; a representation of the intangible.
The surface of the painting is his subject matter, while he also wishes to create worlds and a present that exists behind it. He wants to extend our perspective and our world’s limitations, by creating images that are associated with one another and reconstructing his paintings from seemingly unrelated information. He believes that using flashy colours and old-fashioned imagery is a forceful way to get the viewer to look beyond the painting’s surface.
The paintings are indeed bright and colourful, like a stopped moment, exaggerated and splendid. They are like a tourist photograph of the best tourist spot on a clear day, or like an artificial flower.
beyond fine art
strong mirrored roots to the real world
in the 4th , mathematics change and the sense of wonderment begin.
In my work, I use colours and materials that bring out the artificiality of the subject matter. The paintings are artificial in subject: media scenes and over-stylised
I use bright colours for the same reason I use painterly clichés. The colours and the clichés, which in my paintings are realised and repeated, interfere with the simple and straightforward enjoyment of my paintings. The clichés serve to distract the viewer away from the surface.
a masterpiece is under stood by the many, but a centre piece is yet to be explained
The result of many years of research fuelled by my intense interest in the subject, the pursuit of which is ongoing. I initiated this publication by creating an archive of works of art based on my own aesthetic preferences, combined with what I believed to be spiritual content. I then set out to study and experience as many of the works in person as possible, By taking advantage of my studio and developing close, long-term relationships with contributing subjects. I owe a tremendous debt to the Sikh philosophy , the interaction has enriched my life beyond measure. For me, they raise fundamental philosophical questions: What does it mean to be a human ? How do we want to live? Each work of art poses its own set of questions and I invite readers to consider diverse expressions of spiritually around them .
“We sit on a spinning rock, but instead of perceiving the rotation, we perceive the stars moving around….sounds a lot like illusion…the flow of time is a figment of our consciousness that allows us to operate,and to figure out how there can be anything but subjective reality “??
“The quantum realm, the most fundamental level of nature we know of, from which the classical world we observe emerges “???
“The extent to which this perception of time represents some real property of the universe is another question entirely.
Here is where we enter the daunting terrain with neuroscience on one side and physics on the other “???
“Because our cells have evolved to track sequences of events.We construct time, without having to impose clock time, to make sense of our exeriences. Our sense of time, is bound up more with our sense of self than anything else “???
“Physicists argue that the flow of time results from the second law of thermodynamics, which insists that in a closed system the overall disorder, known as entropy always increases, but it is far from clear that the universe is a closed system “???
“The warping of felt time, both in retrospect and in the moment, is as much about emotion as anything else, which suggests that heart rate, or more likely a sum of various bodily states, could serve as an intrinsic measure of duration(time) “???
“Time by itself does not exist… It must not be claimed that anyone can sense time apart from the movement of things”
“We have all felt : time flies when you are having fun and drags when you arebored. Must dramatically, time seems to go into super-slow motion when you are gripped by fear “???
“Time for us depends as much on motion as it does in Einstein’s relativity. There is evidence of this “spatialisation of time”, ….Buonomano “???
“The ability to create mental representations of something as abstract as time ,which we can’t see or touch, remains one of the great mysteries of the mind “???
“The lateral entorhinal cortex, where they found these time cells, and the medial entorhinal cortex, where grid cells live, send signals directly into the neighbouring hippocampus…..Albert Tsao/Edvard Moser”???
“what is the size of the 4th dimension”???
“It makes total sense because both space and time are essential components in episodic memory “???
“Our experience of the world depends on the ordering of what we interpret asevents and causalities , and they take place over seconds, minutes and hours…….Edvard Moser”???
“There is no dedicated sensory organ or neural pathway for time, as there is for sight, smell, touch, hearing and taste….Carlo Rovelli”???
” Einstein insisted that the flow of time is a “stubbornly persistent illusion” and many physicists today maintain that there is no such thing as an objective “now””???
“Albert Einstein’s theories of relativity, reveal that space and time are unified as 4th dimensional space-time, a medium that is warped by both gravity and motion”???
“Time’s passage is perhaps the most fundemental feature of our experience, and yet modern physics can’t decide if it is fundamental property of the universe”???
“Isaac Newton, “master clock” out side the universe” All motions may be accelerated and retarded, but the flowing of absolute time is not liable to any change” is the same everywhere”???
“3rd dimension has a base line of distance, and time can be measured. so if you get off your chair and walk 20 metres, then return to your chair.If it took 1 minute in time but your total distance covered is zero. now in the 4th dimension where time is the base line, you get of your chair and travel then return, how much distance did you cover”???
” “Is the universe a closed system”???
” “Is invoked by neuroscientists to suggest that space and time are folded together
in the brain as they are in the universe”???
“Explain time ? not without explaining existance.
Explain existance? Not without explaining time”
Has an uncanny ability to connect the final link with the viewer
his art is accessible . it does not require a certain knowledge of art history and theories behind abstract expression. with your own senses you enter into the fourth dimension and the canvas becomes a joy.
Marcel Duchamp, who once said”the spectator completes the art. the creative act is not performed by the artist alone , the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and this adds his contribution to the creative act”
magic is accomplished when intellect meets emotion
there are people who are not fond of abstract expressionism, and moved on to a more expressive space , where time gives your soul a chance to sour .
i always enjoy looking ar art with someone who is willing to share initis discussion. to talk seriously about other dimensions, and the search for enjoyment, fulfillment in a stationary art form . how each piece of good art should offer the possibility of reinterpretation on each viewing.
i realized we had discovered the perfect starting point to turning the house into a place that reflected , who i am and what i like.
not cool to buy art which match the couch or curtains.
as lush as art is, these explore ground which no other artist has gone. the non-abstraction draws on it’s internal strength from meaning, colour, beyond colour, and depth of thought
find the art you like, then build a house around the art
the visual signature is so unique and can’t be compared to third dimensional art, because it ‘s root is sprouted from different foundations. looking from different space and time, gives different prospective of one’s life.
i hope you enjoy the full collection of “paintings”, each command it’s own study. each center piece creates discussion, which gains attraction from different polarized thought.
each “painting” has a sense of humour to lighten the subject matter, without subduing the study. drama is created once puzzles have been answered.
only via accessing the appropriated thought keys of harmonics, wavelengths, frequency, spectrum, we can evoke and reconstruct the meaning.
of course the colour matters in art. it is one of the components an artist uses to communicate with the viewer, but all of the elements are required to make up that communication. this collection is a study of looking beyond colour…this is one reason which makes me smile every morning.
representational piece explores inner relationships of one self.
blue star– the piece bursts with kinetic energy, provided in part of gestural orange strokes crossing the face of the subject. it is also a very intricately organized piece.
the layers are very easy to identify in these works, which provide a powerful visual signature. the spaces / different layering are breached but do not exert disorder. instead, create an interlocking pattern. similar to a puzzle with complementary pieces.
it is also a whale of a conversation piece.
here you have it, the collection of contemporary studies which require a certain amount of knowledge, before excitement occurs.
what does the fourth dimension look like?
as we travel from the 1st, 2nd, 3rd and break through, what does the central scene?
and why is it important any way?
travelling via music, kindness, contentment, and hungar for the unknown we can SIKH out new realms?
the studies of master pieces and centre pieces , requires a certain displaying of the artwork, at present does not exist in programmed spaces?
fourth dimension only exist if all mankind can be represented, therefore no one faith, respective of there ego, can not be positioned in the center?
is it true to say, once entered into the centre, then the whole of humanity opens up?
patterns and shapes are revealed and recognized?? because no one is the same space and time, each viewer has a different prospective?
let’s talk SIKH?
mankind expresses itself in different forms of light, each wavelength, pulse, broadband, spectrum, harmonic, reveals the character of the person?
people build up the 3rd from the basic building blocks from the 2nd, normally using the square to build a cube, these theories are too basic for the heart?
1st law, its got to represent all, at any time and motion?
here time can be distorted and harmonics give different ripples across the spectrum?
centre pieces have the ability to create peaks and tr-offs, which in turn causes environmental hot points? which create future contention/ discussion?
this is but an opening statement of what’s in front of you. “pictures, paint a thousand words”…now complete the mathematical formula?
Picasso must of had great laugh/time with artificial intelligence??
what is the size and depth of other dimensions?
feather..shaft..quill..barb as in barb wire?
do you actually believe NECTAR is holy sugary water?
Wa He Guru occurs when all external senses have been muted?
And this is another”